CLASSICAL
INDIAN DANCE
BHARATANATYAM
Bharatanatyam is one of the most popular dance forms within the classical dance genre, and is practiced the world over by both male and female dancers. Originating in the southern state of Tamil Nadu, it is a reworked dance-form of the traditional “sadir” or temple dances from the 3rd and 4th centuries.
Known for its grace, purity, tenderness, and sculpture-like poses, Bharatanatyam is based on adavu (steps) and hasthamudra (hand gestures). There are a daunting 64 basic steps, and the dance itself is communicated through bhavabhinaya (facial expression), as well as the hand gestures. As with all classical Indian dances, performance starts with prayers to one or more Hindu gods. Bharatnatyam is considered to be a fire-dance — the mystic manifestation of the metaphysical element of fire in the human body. It is one of the five major styles that include Odissi (element of water), Kuchipudi (element of earth), Mohiniattam (element of air) and Kathakali (element of sky or ether). The movements of an authentic Bharatanatyam dancer are said to resemble the movements of a dancing flame.
Bharatnatyam proper is a solo dance, with two aspects: lasya, the graceful feminine lines and movements, and tandava the masculine aspect. In most solo performances, Bharathanatyam involves many split characters that are depicted by the dancer. However, in more modern times, group performances involving dramatic routines that require many characters depicted by various dancers have become common. In addition, these dance performances include numerous transitions and formations that are creatively choreographed to enhance the movements along with the music. Much like pro-athletes, classical dancers endure demanding performances that can last up to two hours.
Besides the beauty and ferocity of the dances themselves, the costumes of any Indian classical dance are simply spectacular. Bharatanatyam dancers wear intricate saris, heavy makeup, and beautiful headpieces. Ornaments of shining stones adorn their neck, ears, and hands, with jasmine garlands often seen in their hair, along with anklets with small bells – denoting the ability to teach or pass on the knowledge of the art.